Sound Design
Audio for event, theatre and film, mostly in the form of composition. I love taking a design approach to audio production and working with other creatives to enhance sound within a visual production.
Local Production
With a lot of my experience and skills in audio production being small scale and local, I can contribute to local projects in the audio realm in a variety of ways. One such example was a walking audio tour I co-created in 2019 and revised in 2021 (launching 2022), bringing the tour together included research, sourcing archived audio, scripting, recording and sound design, largely with my own equipment. If you are ever in Maribyrnong I highly encourage you to experience this site specific tour!
Audio Imaging
I love working sound design and creative production into my broadcasting work. I have produced a variety of audio imaging for radio and podcast over the years, from show themes to sweepers and stings.
Music & Soundscapes
Sporadic music production under various pseudonyms! While most of my work in this space is supplementary within broadcasting or general sound design, being able to compose/arrange/produce just music is always satisfying.
Mixing & Mastering
I sometimes provide a basic mixing and mastering service for emerging local and independent musicians.
Credits
Editing, Mixing and Sound Design -“Unpack Parliament” Podcast (SYN Media 2024)
Site Specific Composition – ‘Dysphoria Discographies’ (SIGNAL Screen x Sound 2023)
Short Film Score – ‘Newly Weds and Nearly Deads’ Directed by Uday Alexander (2022)
Audio Walking Tour – ‘Sounds and Sites’ (Melbourne’s Living Museum of The West 2022)
Sound Design – ‘The Fae’ Directed by Stone Motherless Cold (Yirramboi 2021)
Assistant Production, Score & Sound Design – SYN Hip-Hop’s The Breakdown (2020)
Audio Imaging For Broadcast (2021-2023): Blindsided Studio Podcast, Loud & Queer, SoulFood, SYN’s Coming of Age, SYN’s Save Our Station
Sound Design Contributions – ‘White Rabbit’ (Melbourne Fringe Festival 2019)
Sammy Perryman 